In “Morpheus,” by Rylsky, we are left wondering if Una Piccola is dreaming or awake. She is completely awake, kneeling on a couch, her black camisole off her shoulders, and her thin fingers are gently playing with her dark, mushroom-like nipples, even though she is asleep in bed. In her fantasy, Una is on her hands and knees, removing her underwear and shaking her booty. Her hands tug on her ass, exposing the pink of her hole and spreading her wet, pussy lips. As she sits with her legs wide and skillfully runs her fingers over her breasts and clit, gently teasing her nipples erect, Una dreams of the soothing touch of another person’s hands on her body. The dream woman caresses her skin sensuously while looking down on her sleeping self. With her back to the camera, she towers over the lens, her ass so near, fiddling with her smooth cheeks and grinning down over her shoulder. She kicks off the covers, her legs spread wide, rolling around erotically as she slowly awakens, the sensuality still vivid in her thoughts.